Skip to main content

VENUS - Issue One Full Interview


1. How did you meet each other and what’s the story behind your band name?

We all went to Leeds College of Music. GK and Grace were flatmates at the time and had discussed being in a riot grrrl band. GK then put a post on Facebook looking for female/identifying instrumentalists and we all came together. We got the name ‘Venus’ because GK’s old Instagram name was Venus Girl around the time we came together as a band. It sort of made sense to be called Venus because of the philosophy and background of the goddess. We go under Venus Grrrls online for our online footprint. The ‘Grrrls’ is heavily influenced by the Riot Grrrl movement which is super important to us and our sound. 


  1. Which artists inspire you?

We have a lot of artists that inspire us as we all listened to such different music. Some bands that we listened to as a collective are Bikini Kill, Garbage, Dream Wife, L7 and Rosetta Tharpe. The Riot grrrl movement is a massive influence on us as a band and is what brought us together. “Riot Grrrl” was a movement in musical history that is once again not spoken about often enough. Particularly because it gave lgbt+ creatives a safe space to explore art. This had a knock-on effect throughout the entire industry and hopefully means some lgbt+ creatives now feel safer in the industry despite there being loads more work to be done. This movement has definitely allowed us to feel safer as musicians in the industry and has allowed us to write music with more ease than we could have before the movement. It was actually a riot grrrl band, Bikini Kill who brought us together and set us on the path that we are on today. During one of our first rehearsals, we learnt Rebel Girl and we still play this cover at our shows. It’s a song that means a lot to us. 


  1. How do you pick what to write your lyrics about?

Mostly GK writes about things that are personal to her, things she has gone through such as mental health, bullying, friendships and relationship; substantially exploring themes of mental health, liberation and integrity. 


  1. Do you have a favourite or most meaningful song?

I think we all individually have our personal favourites and all of our tracks have very important individual messages. Deranged is about being a woman in alternative rock and the struggles we go through. But as a whole, we would have to go with Amy as this is one of our newer tracks and it explores the theme of mental health. It’s about opening up and talking to people about what you’re going through. Do not suffer alone. 


  1. Do you think there has been a gender imbalance in the music scene? If so, what can we do to reduce that imbalance?


There’s definitely an imbalance in the music industry as a whole. In particular, you can see this imbalance on festival lineups. Something that we are trying to do is show that there are many women in the music industry and they need to be given the platform from the bottom up. Representation is key so that young women can see themselves up on the stage. As an individual, you can show your support by requesting bands to be on lineups, interacting with them online and supporting them at shows. 


  1. I know you incorporate feminism and activism in your music - how easy do you find this?


We do this organically rather than it being a thing we feel we HAVE to do, we try to use elements of feminism in our everyday life experiences. So rather than constantly writing a staunch feminist song, we want to write about our life experiences that may have feminist undertones. We feel this is the best way to not essentialize ourselves JUST as girls with guitars. We’re more than that


  1. How do you feel we can support the local scene?


Due to Covid-19, musicians and venues are seeing the impact of the pandemic. If you are in a position to, buying march and music directly off the artist is super beneficial, or from their Bandcamp. On top of this, some musicians and venues have set up donation pages. Music Venue Trust (MVT) launched a new campaign called 'Save Our Venues', in a bid to stave off the continued economic threat to over 500 grassroots music venues throughout the UK. You can find out ways to support your local scene by googling ‘Save Our Venues’. If you’re not in a position to donate, sharing, following and liking local artists is also impactful as you’re spreading the word and supporting artists. 


  1. What can we do to support you as musicians?

Following, liking and sharing musicians content online and if you’re in a position to do so, buy their music and merchandise online. 


  1. Are there any local creatives (musicians/artists/filmmakers) you urge us to check out?


There are so many! Go check out Crawlers, Sing Again Syren, Marketplace and Gen and the degenerates. We are releasing a music video for ‘You’re Alright, I Guess’ very soon, a bunch of our friends in bands are featured in it. So go check out the credits and listen to their music! 


  1.  How would you describe your music in 5 words?

Raw, Energetic, Unapologetic, Raucous and Wild. 

Questions by Emily Duff





Most Popular

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think  I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”.  That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film.  In one scene, Héloïse, an 18