Single Review: Imojen

Single Review: Imojen - ‘Angus’

by Jade Bailey

The magnificent Imojen has returned with their second single ‘Angus’, sharing their passion for feminism in a graceful yet evocative ballad. This slow-burning track highlights Imojen’s amazing vocal capabilities, as well as many social issues surrounding men.

Based in Brighton, this singer-songwriter was inspired by the likes of K.D Lang and Lucious as well as their own experiences in being a part of the LGBTQ community. Imojen’s debut track ‘Raptures’ is full of passion and love but ‘Angus’ goes one step further and shows a huge progression in talent and songwriting.

‘Angus’ starts with a folk-inspired acoustic guitar, accompanied by stunning lyrics- “You lie through your teeth when you open up”. This unapologetic first line really sets the scene for this track, despite being sung with such beauty. I almost overlooked the excruciating pain behind these words at first! The imagery used is dramatic too, truly painting a picture within this spectacular work of art - “I’ll wait till dark to dance upon your grave / I’m thoughtful like that, you can call it by its name”

Imojen’s voice is like pure velvet, completely out in the open without being shadowed by the sorrowful music. As more instruments are introduced into the mix, the vocals are also brought up with the addition of delicate harmonies in the dazzling chorus- “Oh, but Angus, / You raised an ugly boy, yes / To write to me to digress / To beg for my forgiveness”.

Exposing misogyny is a powerful thing, which is the main focus of ‘Angus’. A story of a father raising his son with internalised misogynistic ideas to start the cycle of abuse and terror for women all over again.

Many feminists will relate strongly to these words, which are gorgeous but so raw. ‘Angus’ is an impressive piece of work, balancing tough lyrics with elegant melodies that Imojen pulls off flawlessly.

Listen to 'Angus' Below:

Edited by Emily Duff

Comments

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an Instagram account has been created to provide a ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A total of 40+ posts have been made by the above social media account regarding one of Sheffield's most popular tattoo artists . Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Single Review: ‘Tell Me’ - Jay Moussa-Mann

by Ilana Hawdon The feeling of pure betrayal and heartbreak is perfectly captured in Jay Moussa-Mann’s latest single, ‘Tell Me’. Jay Moussa-Mann is the folk dream we have been waiting for. A favourite on BBC Introducing, Radio 6 and BBC Radio Tees, Jay ’s sound is easy on the ears but delightfully addictive. With a background in writing and film, she began her solo musical venture when she released her debut album, ‘Little Deaths’ in late-2019, and since then, Moussa-Mann has defined herself as an artist with unbelievable range and promise. ‘Tell Me’ is completely timeless; with notes of Carole King and Joni Mitchell, Moussa-Mann creates a folk-inspired track which is simultaneously heart wrenching and strangely empowering. Beginning as a simple guitar tune, ‘Tell Me’ builds with layers of luscious strings and twinkling piano, tied together with Jay ’s vocal line which is equal parts melancholic and divine. The song feels unwaveringly intimate; the lyrics ask, ‘what was I worth?’

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”. That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film. In one scene, Héloïse , an 1

Darling Zine

Search This Blog