Skip to main content

The Leadmill Release Official Petition as Jarvis Cocker, Arctic Monkeys, Oli Sykes and More Come Forward in Support of #WeCantLoseLeadmill

Words by Emily Duff

The Leadmill has now launched an official petition to try and help prevent their eviction and the eviction of other at-risk venues now and in the future by requesting to suspend Section 25 of the Landlord and Tenant Act (Grounds C to G). You can sign this here.

Since the announcement of The Leadmill’s impending eviction notice, anger has spread at the risk of job losses and the idea of others profiting from their hard work. Through this, #WeCantLoseLeadmill began as a way of remembering the good times that have been spent there during the iconic venue’s 42 year life-span, and locals along with famous names were quick to show their shared frustration.

Amongst heartbroken customers were the performers. On Twitter, support poured out in the thousands with names like Massive Attack, Manic Street Preachers, and Pigeon Detectives as well as Sheffield-born Arctic Monkey’s and Bring Me The Horizon’s Oli Sykes sharing the hashtag. Arctic Monkey’s ex-tour manager, Timm Cleasby, even added to the conversation in an interview with NME, “If The Leadmill’s not part of Sheffield, then it’s a bit of a travesty for all those people who have a lasting memory of the place.” Along with this, Kaiser Chiefs added to the discussion reminiscing on playing at The Leadmill. “It would be a huge loss not just for Sheffield and Yorkshire, but the whole UK music scene.”


Critically acclaimed singer-songwriter, guitarist, producer, and former member of Pulp, Richard Hawley is even lined up for back-to-back shows in support of the cause. On Monday 8th and Tuesday 9th of August, Hawley will be playing two homecoming gigs, Hawley also took to Twitter to add that the shows are “…a mark of support and love for this legendary and unique venue…”. Tickets for his The Leadmill shows can be purchased here: https://theleadmill.seetickets.com/tour/richard-hawley

Pulp’s Jarvis Cocker and designer, Graeme Swinton, have even gone the extra mile, creating new artwork in support of The Leadmill. Continuing the series’ first released to promote their track, 'Common People', the piece states: You Can’t Buy The Leadmill. ‘You Can't Buy’ is historically a set of four original Pulp posters, ending with ‘Common Sense’, ‘Credibility’, ‘Happiness’, ‘Beauty’ and now ‘The Leadmill’.

Sheffield artist, Pete McKee, who designed The Leadmill’s 40th anniversary album cover, made a compelling post on Instagram to say, “The Leadmill is as Sheffield as our cutlery and steel industry, Henderson's Relish, our place in football history and our stunning countryside that draws rock climbers from all over the globe, to places such as Stanage Edge.”

This past weekend (8th and 9th April), Eddie Izzard provided a weekend full of shows to demonstrate her support for The Leadmill. She performed her new stand-up show, Wunderbar, followed the next day by a one-woman enactment of the classic Dickens story, Great Expectations. For The Leadmill to be host to these performances and such an iconic performer, it is  a clear example of the world-famous talent showcased at their venue as well as the support they have gained over their more than four decades of existence. 


Most Popular

Fashion For a Cause: Brands That Stand with Palestine and the history of fashion as a form of Activism

by Oana-Maria Moldovan For over two months, there has been an ongoing genocide war in Gaza. To simplify a long and horrific issue, the situation that started, on a larger scale, around one hundred years ago, and has only become amplified since October 7th 2023. Taking place around the Gaza Strip, the West Bank, and Israel–Lebanon border, the armed conflict is between Israel and Hamas-led Palestinian militant groups.  The problem is about “stolen” land. Said land is seen as an important holy part of both religions involved. But really, how holy can we consider a land to be, if people kill other people for it? It’s important to remember that this genocide is about three things: forced occupation, zionism, and religion. It’s also important to remember what ethnic erasure is. This terrible expresion, also known as cultural or ethnic assimilation, refers to the process by which the distinct cultural or ethnic identity of a particular group is gradually diminished or erased, often due to...
Read more

The Resilient Art of Filipino Weaving

by Yasmine Cariaga Weaving is one of humanity’s oldest art forms and is integral to Philippine culture and spirituality.  Its origins in the archipelago can be traced back to the 13th century and it has miraculously survived war and occupation. Other than its survival, what makes the art form so  special is its power to unite Filipinos across all 7,641 islands. Hand looming has been passed down from ancestors to descendants.  Filipino women grow up observing their elders weave and from a young age, they begin stitching their heritage onto fabric which will last for generations. To really understand weaving's cultural significance, we have to acknowledge the impact of the Philippines’ colonial past. Spain first colonised the Philippines in 1565 and the Spanish attempted to suppress Filipino indigenous traditions through various means during their colonial rule. The first way was religious conversion.  Missionaries demonised Filipinos' indigenous beliefs and practices ...
Read more

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simu...
Read more