Skip to main content

Darling Speaks to CRAWLERS Live From Tramlines

Emily Duff speaks to Holly Minto, the Lead Vocalist for Up-and-Coming band, Crawlers, live from Tramlines 2022 as they prepare to play The Leadmill Stage for Day Two of the Sheffield-based Festival (July 23rd). 


Emily: How did you all meet and decide to start making music together?


Holly: Amy and Liv went to high school together and started a band playing covers, and I then met Liv in college. We loved working together and decided to make a combo of us all. After practicing in a shed for a year or two and our drummer left we met Harry after he did a review of our single called Hush - it was amazing.


Emily: Most recently releasing ’Fuck Me (I Didn’t Know What to Say)’, you said over on Twitter “this song means so much”, could you elaborate on why this is so meaningful for you guys?


Holly: ‘Fuck Me’ discussed a lot of personal issues I have faced. After listened to Leith Ross Never Have Sex and heard the lyric “you kissed me just to kiss me” I asked myself have I ever been kissed just to be kissed? From my own insecurity, trauma I went through I wanted to channel how I wanted to be loved without my body.


Emily: I see your name all over my social media feed, do you feel a pressure to have an online presence or is this something you enjoy? Has this also made it easier to get your music recognised? 


Holly: We are so privileged to be so spoken about online, it does come at a lot of issues, like I have anxiety and some people on the internet are horrible. However, we have also discovered the most wonderful people who have supported us through it all… We are so grateful for our little fanbase and everyone who risks it by streaming a band that’s spoken about on the internet.


Emily: I saw Holly, Liv and Amy passed uni recently - congratulations! How have you been able to balance making music and studying?


Holly: One answer: we didn’t. We’re grateful our university has been really supportive of our career, it’s been incredibly hard as we are so hands on with the band, marketing, campaign plans, live gigs and practice for them, songwriting and recording while also having to do life… as well as uni… was a lot. However, we’re very excited to shake Paul Mccartneys hand…


Emily: Which artists would you say inspire your music? Has this changed over the years?


Holly: We started with a lot more grunge artists, Nirvana, Queens of the stone age. As we’ve grown together we love all kind of music, I love artists like Phoebe Bridgers and Mitski, Amy loves Charli XcX, Liv loves Tool and Harry loves bands like the Chats: We love music and listening to it and genre bending.


Emily: With a UK tour coming up as well as festivals this summer, what can fans expect from your live shows? 


Holly breaking their knees.

Liv being BEAUTIFUL.

Amy jumping on Monitors.

Harry’s pre show BEER.


Emily: Which track are you most looking forward to playing live today and why?


Holly: We love playing ‘I Can’t Drive’ … it goes OFF.


Emily: What’s been your favourite memory from your live shows so far? 


Holly: In London two of our fans got engaged during come over (again), I cried like a bitch after that show…


Emily: I love your emphasis on being genderless and genreless, why is this neutrality and lack of labels so important to you?


Holly: Labels in any way can help so many people. But as we have grown as people and as musicians we have all discovered how fluid we lay… thought it summed it up well…


Emily: If people could take away one thing from your music, what would it be?


Holly: Hopefully a new song to scream and cry to…

Most Popular

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think  I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”.  That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film.  In one scene, Héloïse, an 18

Single Review: ‘Tell Me’ - Jay Moussa-Mann

by Ilana Hawdon The feeling of pure betrayal and heartbreak is perfectly captured in Jay Moussa-Mann’s latest single, ‘Tell Me’. Jay Moussa-Mann is the folk dream we have been waiting for. A favourite on BBC Introducing, Radio 6 and BBC Radio Tees, Jay ’s sound is easy on the ears but delightfully addictive. With a background in writing and film, she began her solo musical venture when she released her debut album, ‘Little Deaths’ in late-2019, and since then, Moussa-Mann has defined herself as an artist with unbelievable range and promise.    ‘Tell Me’ is completely timeless; with notes of Carole King and Joni Mitchell, Moussa-Mann creates a folk-inspired track which is simultaneously heart wrenching and strangely empowering. Beginning as a simple guitar tune, ‘Tell Me’ builds with layers of luscious strings and twinkling piano, tied together with Jay ’s vocal line which is equal parts melancholic and divine. The song feels unwaveringly intimate; the lyrics ask, ‘what was I worth?’