Skip to main content

Love Island: The Aftermath of Casa Amor

 by Katie Wheatley

Last week I spoke about how iconic Casa Amor is and it did not disappoint this year. Despite the following episodes being, in my opinion, quite dull, things are finally heating up again. It may be because the season began so strongly and every night there was a new bit of drama for us to sink our teeth into, but it has felt like the producers have purposely put in irrelevant scenes to fill out the episodes to build suspense – but all it appears to be doing is annoying loyal watchers.

In my last column I mentioned ‘movie night’, which is finally being aired this evening – and I have a feeling it’s going to be one of the best episodes yet. But after teasing us into thinking we would see it on Friday evening and only showing us a 10-minute snippet, I was just as frustrated as what I was seeing on social media.

What makes it so interesting that they’ve left it this long to show them the happenings in the villa is they have all made up for their wrongdoings and put them in the past, only for them to be brought up again. It’s impossible to tell whether the couples will come out of this better or worse off – and for that, I applaud the Love Island producers, despite how infuriating it’s been to have to wait for it.

Last week I shared my disappointment in Dami but I must admit, seeing him and Indiyah reunited – and arguably better than ever – has reignited my soft spot for them. But I fear how physically seeing Dami’s actions will make Indiyah feel (and rightly so) and they’ll be back to square one again.

The return of Adam Collard from season four has arguably been the biggest surprise of the season, and this is definitely something I’d like to see more of in the future. There are some contestants who have played such a big role in the show’s success that, if they’re single, it would only be right to throw them in the mix – especially at such a pivotal point in the series, when all the couples are settling down. Adam knew what he wanted when he came in and that confidence is something the other contestants just can’t match.

Like many people, I have mixed feelings towards Jacques leaving. Although it was admirable to see him unafraid to show his emotions and to be vulnerable on television, I think it was a bold claim for Paige to say he hasn’t been the best version of himself. Up until Casa Amor, he was absolutely fine and he couldn’t handle the fact he made a mistake. I completely agree with him removing himself from the situation and going home to ensure his mental health is as good as it can be – and that shows the fame that comes with being on Love Island didn’t matter to him as much as it evidently does to others who are currently in the villa.

Casa Amor did exactly what it was meant to do and the Love Island producers have played it perfectly to ruffle some feathers – even if it did mean having to endure some somewhat boring episodes this week. Next week, I’ll be discussing how the fame and lifestyle changes contestants face after being on the show impacts their behaviours and decisions.


Most Popular

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think  I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”.  That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film.  In one scene, Héloïse, an 18