Skip to main content

Are we innocent if wearing vintage clothes?

by Hyemin Seo


Is it true that young people are interested in second-hand clothing, and can their consumption affect sustainability? The answer is clearly "yes".

 

The fashion industry uses over 92 million tons of material every year. 


If we stopped creating excess supply in case of excess demand, it may be possible to reduce clothing consumption per person by purchasing pre-loved clothing instead. 


It cannot be denied that this is an act that can contribute sufficiently to circular fashion. If clothing is made to a high quality, it can last a lifetime - or even generations. 

 

However, as interest in the second-hand clothing market increases, their values have began to be blurred. The market for second-hand clothes, where “recycled" and "reused" were the core values, is facing a new problem of exclusion.




It’s not enough to have a diverse cast of models - each must be considered in the context of the minority groups they belong to. 


With the revival of Y2K fashion mixed with the styles of the ‘60s and ‘70s going viral as a result of new media like Daisy Jones & The Six, for the younger generation it makes sense to source this vintage vibe in a vintage shop. In fact, the phrase "Vintage Outfit Check" brings up countless TikTok videos that are being produced each day.


Although this is great for emphasising the shift to slow fashion, the issue is that these items tend to be feeding into micro trends. By being a short term fad, it runs the risk of those items being lost in the void of an over-consumer’s wardrobe and therefore wasting the resources again. 


Similarly, the idea of upcycling could easily be a force for good - bringing new life to outdated pieces. However, this reimagining normally comes in the shape of shortening or cropping, making the item often reduce its lifespan and even making it inaccessible for its next life as another person’s charity shop find. 


Concepts of donation and reusing have lead many young people who are genuinely passionate about environmental issues to the preloved market. Still, the fact is, their trend-obsessed consumption and unchanged buying habits can easily be interpreted as a way to free them from guilt. 


Not to be the bearer of had news, but if you still shop to an unnecessary degree then you are still feeding into an unattainable and unethical lifestyle. 



Today, innocence is no longer a word that can excuse us from living in an industry that creates this vast waste of resources. 


A reflection of the capitalist world we live in, fight against the climate crisis by being thoughtful with your purchases. Even if you opt to shop fast fashion  for whatever reason, if those few pieces will be worn regularly over a long span of time then its impact doesn’t have to be as detrimental. 


If you get bored of wearing the same item - lean how to style and rework pieces using accessories or layering. 


If you need a new item for a special occasion, consider renting - sites like ByRotation and Herr are ideal and accessible. 


If you really need a wardrobe revamp for a serotonin boost, having a clothes swap with friends and family could be more beneficial. 


There can be many solutions that allow you to feel and look your best without adding unnecessary strain to our planet. 


And if everyone reflected on their buying habits and practiced more conscious consumption, then we could find more value in each of our wardrobes. 


Edited by Emily Duff


Most Popular

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think  I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”.  That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film.  In one scene, Héloïse, an 18