Skip to main content

Winchester School of Art's Graduate Fashion Week Showcase: A Trip Down Memory Lane

by Tia Janowski 

Walking through Brick Lane at 10am on a Wednesday isn't typically the street's busiest time, but today it was already buzzing with people dressed in their finest fashion show attire. 

They were ready to experience the magic of Graduate Fashion Week at The Truman Brewery. This event, known for its industry talks, sustainable brand pop-up stalls, and university catwalk shows, showcased the culmination of a year's hard work by fashion graduates from across the UK. It was an opportunity for students to present their creative vision to their loved ones and industry representatives.

On the third day of Graduate Fashion Week, Winchester School of Art took the stage and set the bar high for the rest of the event. With 27 students displaying their final projects, let's delve into their inspirations and designs that left a lasting impression.

Shuyi Xu's collection was a beautiful ode to nostalgia, drawing inspiration from her mother. Reflecting on her collection, Shuyi shared, "I reminisce about moments with my mother, searching for non-real and elusive memories." Her designs aimed to observe and define her mother at different stages of life, translating these memories into wearable art. The collection featured a juxtaposition of nude and lighter colors against bold black and maroon block shades. Unusual shapes and sharp abstract silhouettes stretched beyond the catwalk, influenced by elements such as armor, light-leaking curtains, and even cherished dreams.

Similarly, Anna Jacobs drew inspiration from her mother and the power of 1980s femininity. Her collection, titled "Rosemary's Wardrobe," showcased strong shoulders, asymmetrical lines, and a fusion of pale pinks and blues with masculine styles. Anna explained, "Nostalgia lies at the heart of this collection, which also features my grandma's wedding jacket, passed down to my mom and reimagined for a new generation." Both Anna Jacobs and Shuyi Xu poured their emotions into their collections, crafting cohesive yet distinct pieces that touched the soul.

During the showcase, Lydia Matthews presented her collection, "Cut to the Fun," which breathed life into the vibrant and youthful spirit of the sixties. Her designs aimed to inspire a brighter post-COVID society, playing with bold colors, circular cut-out details, and playful styles. Drawing from magazine archives and family photos, Lydia's versatile collection radiated fun and freshness.

In contrast to the nostalgic influences, Megan Fanning took a leap into the future, imagining fashion in the year 7001. Her collection revolved around the idea of humanity seeking refuge in space to save itself from an environmental crisis. With a focus on sustainability, Megan crafted a collection of practical workwear in earthy tones and oversized fabrics, embodying the early stages of a new society striving for sustainability. The fusion of futuristic designs with practicality and nature created a unique ensemble.

Many designers also drew inspiration from their hometowns and cultures, and Saima Nishat's collection, "When Are You Coming Home?," encapsulated the feeling of not belonging to a specific place. Exploring her collection, she discovered that it's okay not to have a fixed sense of belonging because "home is where the heart is." Saima's designs incorporated elements from her parents' garments and the essence of her childhood home in Bangladesh. Earthy colors like orange, yellow, and green, along with cultural prints and draped fabrics, seamlessly merged Bangladeshi styles with modern Western fashion, resulting in a fashionable and stylish collection.

Bella Luo, on the other hand, used her culture as an inspiration for her "Lucky in Red" collection. She challenged the notion of luck and mindfulness in her designs, explaining, "According to my tradition, I'm having an unlucky year." Rather than relying on luck, Bella encouraged paying attention to the wonders around us to find joy. Her collection elegantly showcased a blend of red and black, symbolizing tradition and modernity.

Winchester School of Art left a lasting impression on the audience, who couldn't stop discussing the exceptional efforts and hard work displayed on the catwalk. Each collection reflected the designers' ability to create forward-thinking designs based on personal beliefs, experiences, and interests. The show proved that these student designers are ready to bring unique perspectives and innovative ideas to the fashion industry.

Graduate Fashion Week provided an incredible platform not only for these students but for all the participants throughout the event's five days. It served as a gathering of the future of fashion, offering aspiring designers a foot in the industry and a chance to shine.

At [Magazine Name], we celebrate the creativity and talent showcased at Winchester School of Art's Graduate Fashion Week. Stay tuned for more exciting fashion journeys and discover the latest trends that shape the industry's landscape.


Most Popular

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Eurydice’s Last Words

by Kate Bradley I do not want to return To sit in the stalls, Of an empty black box Strewn with petals Leave the ghost light on, Let it shine like a call home, But I will not come back To turn it off alone. I learn this as we walk Our ever so solemn path Our thudding funeral march, You think we’re going back. As I trace my old steps, I fear of the day When the symphony swells, And I land my gaze On you, yet you will be Enraptured by the sound, If you did twist To turn around, You would not see me. So I am not sorry, I speak out into the empty air And I am not sorry. “Turn Around.” You do, you look You think  I fall But I run on, Arms wide open To fall in love With it all “Perhaps she was the one who said, ‘Turn around.” On the X45 bus, back from the Tyneside Cinema, I wrote a poem entitled “Eurydice’s Final Words”, after having seen “Portrait of a Lady on Fire”.  That poem was terrible, so I wrote a new one, as my response to the beautifully poignant film.  In one scene, Héloïse, an 18

Single Review: ‘Tell Me’ - Jay Moussa-Mann

by Ilana Hawdon The feeling of pure betrayal and heartbreak is perfectly captured in Jay Moussa-Mann’s latest single, ‘Tell Me’. Jay Moussa-Mann is the folk dream we have been waiting for. A favourite on BBC Introducing, Radio 6 and BBC Radio Tees, Jay ’s sound is easy on the ears but delightfully addictive. With a background in writing and film, she began her solo musical venture when she released her debut album, ‘Little Deaths’ in late-2019, and since then, Moussa-Mann has defined herself as an artist with unbelievable range and promise.    ‘Tell Me’ is completely timeless; with notes of Carole King and Joni Mitchell, Moussa-Mann creates a folk-inspired track which is simultaneously heart wrenching and strangely empowering. Beginning as a simple guitar tune, ‘Tell Me’ builds with layers of luscious strings and twinkling piano, tied together with Jay ’s vocal line which is equal parts melancholic and divine. The song feels unwaveringly intimate; the lyrics ask, ‘what was I worth?’