Skip to main content

Naomi Campbell's Collaboration with PrettyLittleThing: A Questionable Promotion of Fast Fashion

by Jameliah K. N. Adekunle

In the world of fashion, the recent collaboration between iconic billionaire model Naomi Campbell and fast-fashion giant PrettyLittleThing (PLT) has stirred both excitement and concern. 


However, this partnership goes beyond the realms of fashion, raising questions about ethical practices and sustainability within the industry. 



As we delve into this collaboration, we confront the broader social issues tied to fast fashion and its impact on the environment, labor exploitation, and gender inequality.


PrettyLittleThing, established in 2012, has enjoyed tremendous success among fashion-forward young women aged 16 to 24. 


Yet, the fast-fashion industry, including PLT, has come under increasing scrutiny for its negative environmental consequences. With over 250 new items introduced each week, this business model contributes significantly to the fashion industry's carbon footprint. 


Astonishingly, the fashion sector accounts for approximately 8 to 10% of global CO2 emissions - surpassing international flights and shipping combined. 


In the pursuit of addressing these concerns, the collaboration between Naomi Campbell and PLT takes center stage, inviting a closer examination of the brand's sustainability practices.


At the heart of the fast-fashion machine lies a deeply troubling reality for those involved in its production. 


Women, particularly women of color, bear the brunt of exploitative labor practices within this industry. Even as the founders of PLT aimed to empower women, the reality is far from this vision. 


Female workers, often in developing countries, are forced into jobs such as seamstressing, working under poor conditions and earning meager wages. The COVID-19 pandemic only exacerbated this situation, leading to pay cuts and redundancies disproportionately affecting women. 


For Naomi Campbell, an influential black woman in the media, to collaborate with PLT raises questions about representation and support for those affected by intersectional discrimination.


PLT's marketing strategy, heavily reliant on social media influencers and their vast followings, has propelled the brand to cult status. 


However, this influencer culture's dark side emerges when it perpetuates the consumption-driven model of fast fashion, encouraging rapid garment turnover and contributing to environmental and ethical concerns. This collaboration between Naomi Campbell and PLT inadvertently exemplifies the potential detrimental effects of influencer culture on society.


As a prominent black woman in the media, Naomi Campbell holds a unique position of influence and responsibility. 


Her advocacy for humanitarian causes through her charitable foundation, Fashion for Relief, seemingly contrasts with her choice to collaborate with a brand that profits from the adversity faced by marginalized women. This raises questions about genuine concern for those in need and the potential impact of her actions on vulnerable communities.


The collaboration between Naomi Campbell and PrettyLittleThing is not merely a union of fashion icons but a convergence of social issues that demand attention and introspection. It highlights the urgent need for change within the fast-fashion industry and underscores the importance of ethical and sustainable practices. 


As consumers, activists, and influencers, we must collectively question the social and environmental impact of our choices, urging brands to embrace responsible and compassionate business practices. Only then can we steer the fashion industry towards a more equitable and sustainable future.


Edited by Emily Duff

Most Popular

Fashion For a Cause: Brands That Stand with Palestine and the history of fashion as a form of Activism

by Oana-Maria Moldovan For over two months, there has been an ongoing genocide war in Gaza. To simplify a long and horrific issue, the situation that started, on a larger scale, around one hundred years ago, and has only become amplified since October 7th 2023. Taking place around the Gaza Strip, the West Bank, and Israel–Lebanon border, the armed conflict is between Israel and Hamas-led Palestinian militant groups.  The problem is about “stolen” land. Said land is seen as an important holy part of both religions involved. But really, how holy can we consider a land to be, if people kill other people for it? It’s important to remember that this genocide is about three things: forced occupation, zionism, and religion. It’s also important to remember what ethnic erasure is. This terrible expresion, also known as cultural or ethnic assimilation, refers to the process by which the distinct cultural or ethnic identity of a particular group is gradually diminished or erased, often due to ext

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl