Skip to main content

The Death of Jane Birkin: What It Tells Us About Ageism

by Charlotte Gollogly

Jane Birkin, an actress and singer most famous for dazzling us with iconic Parisian looks, tragically passed recently at the age of 76. 



While she stared in movies such as The Swimming Pool, Evil Under the Sun, and Death on the Nile, as well as enjoying a successful career as a singer, you may know the name Birkin from somewhere else. 


She was notably known in the fashion industry for her effortless French style which led to the creation of the Hermés Birkin bag that solidified her position as a fashion icon.

 

But how come no one can pinpoint what the ‘1960’s It Girl’ looked like in her old age?

 

Birkin’s death seems to be taking the media by storm, with magazines like Vogue and Elle praising her accomplished career. 


Despite all the well-deserved love, something seemed to be missing… pictures of an older Birkin. 


While scrolling down my social media feed I noticed a recurring theme of people posting tributes to Birkin exclusively using pictures of the actress from the 1960s and 70s. 


At that time, she would have only been in her twenties, ‘coincidentally’ her most sexualised age. Intrigued, I looked online and to no surprise, there was scarcely any pictures of her past her thirties. Which was more than 40 years ago!

 

While the twenty-first century has made exceptional strides towards inclusivity, ageing women still remain stigmatised. 


Aging is often implied to be a daunting process. Heavily rooted in misogyny, it pushes the agenda that women are less desirable once they reach old age and feeds into societies sexualisation of young women. 


Why do we panic about turning 30 when that is less than halfway through our expected lifespan? 


With the increasing presence of social media and advancements in technologies, we are flooded with images of unrealistic beauty standards. This creates anxiety about our beauty inevitably fading, pressures us cling to our youth as tight as possible. This is highlighted by the commonality of plastic surgery today.

 

Even after Birkin’s death, her image is still reduced to her physical appearance, contradicting what she stood for. 


She has been vocal about ageing naturally, wisely reminding us that happiness is the true secret to long-lasting beauty for years. 


Birkin told Vogue, “You take off about ten years if you smile.”


Her inspiring approach to ageing creates a refreshing and reassuring perspective for women struggling with these common anxieties, reminding us that wrinkles are often ‘smile and laugh lines’, which shouldn’t be something to be insecure about. 


When searching up ‘smile lines’, I found a ridiculous number of articles informing us ‘how to get rid of laugh lines’ which completely contradicts the name, reinforcing insecurities over our body’s physical signs of happiness.

 

In a 2022 film by Birkin’s daughter, Charlotte Gainsbourg, titled ‘Jane by Charlotte’, Birkin tells her daughter how she used to hate her wrinkles, revealing, “At one point, you no longer recognise yourself.”


She echoes the fears that many older women also experience. But, eventually, Birkin reached “that point of not caring”, reminding us that ageing is a natural process as it symbolises our unique bodily journeys.

 

Birkin was not only an inspiring figure for fashion but also an icon for older women, so the next time you’re worrying about wrinkles just think: What would Jane Birkin do?


Edited by Emily Duff

Most Popular

Fashion For a Cause: Brands That Stand with Palestine and the history of fashion as a form of Activism

by Oana-Maria Moldovan For over two months, there has been an ongoing genocide war in Gaza. To simplify a long and horrific issue, the situation that started, on a larger scale, around one hundred years ago, and has only become amplified since October 7th 2023. Taking place around the Gaza Strip, the West Bank, and Israel–Lebanon border, the armed conflict is between Israel and Hamas-led Palestinian militant groups.  The problem is about “stolen” land. Said land is seen as an important holy part of both religions involved. But really, how holy can we consider a land to be, if people kill other people for it? It’s important to remember that this genocide is about three things: forced occupation, zionism, and religion. It’s also important to remember what ethnic erasure is. This terrible expresion, also known as cultural or ethnic assimilation, refers to the process by which the distinct cultural or ethnic identity of a particular group is gradually diminished or erased, often due to ext

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl