Skip to main content

A24's Bold Move Shakes the Film Industry: Can Indie Cinema Save Hollywood's Soul?

by Oana-Mari Moldovan 

Last month, a significant development shook the film industry as the workers' union, SAG-AFTRA, initiated a strike due to the stalled negotiations with The Alliance of Motion Picture and Television Producers (AMPTP) on equitable wages and the integration of artificial intelligence (AI) in filmmaking.

Amidst this unrest, a beacon of progress shines through. 39 independent film and TV projects secured approval from SAG-AFTRA to forge ahead with their endeavors. Notably, A24, a renowned New York-based production company celebrated for its Academy Awards triumphs, stands at the forefront of this movement.

The Hollywood actors' union's decision to exempt these 39 projects from the strike, a momentous announcement made last Tuesday, underscores the complexity of the situation. Two of these projects are A24 creations. A24's cinematic prowess is evident in its critically acclaimed films like “Midsommar” (2019), “Lady Bird” (2017), and “Everything Everywhere All at Once” (2022).

Among these ongoing A24 projects is the highly anticipated melodrama “Mother Mary,” starring Anne Hathaway and Michaela Coel. Additionally, A24 brings forth “Death of a Unicorn,” starring Rudd Paul and Jena Ortega in a captivating father-daughter duo.

However, the crux of the matter is encapsulated in two vital questions: How do smaller production companies manage to offer fair wages while industry giants falter, and what underpins this dichotomy? The answer, while seemingly simplistic, is a testament to the intricacies of the industry. Greed, an unfortunate reality, plays a role, yet the contrast between A24's success and larger corporations' struggles unveils a more nuanced panorama.

The agility of indie productions to meet strike demands while conglomerates flounder highlights the intricacies of the entertainment realm. Smaller studios often exhibit a nimbleness that larger entities find challenging to emulate, owing to their intricate organizational structures and myriad stakeholders. Nevertheless, the insensitivity of larger corporations to these issues remains difficult to excuse.

Presently, the plight afflicting numerous artists has persisted for an extended period. The initial discussions began nearly six months ago, implying ample time for substantial change even within major corporations such as Disney. The question arises: Why did such companies not uphold fair wages from the outset? Furthermore, their disconnect from AI-related concerns raises eyebrows.

Regrettably, the situation's tragic impact on Hollywood's creatives continues to deepen, with no immediate solution in sight. The verdict is clear: We must rally behind projects sanctioned by SAG-AFTRA, projects that exemplify ethical work standards. Fair compensation signifies fairness for all involved.

Noteworthy projects in this category encompass the aforementioned A24 films, Sofia Coppola’s “Priscilla,” “The Rivals of Amziah King” featuring Matthew McConaughey, “Flight Risk” with Mark Wahlberg under Mel Gibson's direction, “Dust Bunny” starring Mads Mikkelsen and Sigourney Weaver, and the incomparable Rebel Wilson in “Bride Hard.”

Amidst this turbulence, a silver lining emerges. This strike could catalyze a resurgence of indie filmmaking, unlocking fresh prospects for smaller production companies. The scene is set for a transformation that might reshape the industry's landscape, propelled by the determination of those fighting for fair practices.

Most Popular

Fashion For a Cause: Brands That Stand with Palestine and the history of fashion as a form of Activism

by Oana-Maria Moldovan For over two months, there has been an ongoing genocide war in Gaza. To simplify a long and horrific issue, the situation that started, on a larger scale, around one hundred years ago, and has only become amplified since October 7th 2023. Taking place around the Gaza Strip, the West Bank, and Israel–Lebanon border, the armed conflict is between Israel and Hamas-led Palestinian militant groups.  The problem is about “stolen” land. Said land is seen as an important holy part of both religions involved. But really, how holy can we consider a land to be, if people kill other people for it? It’s important to remember that this genocide is about three things: forced occupation, zionism, and religion. It’s also important to remember what ethnic erasure is. This terrible expresion, also known as cultural or ethnic assimilation, refers to the process by which the distinct cultural or ethnic identity of a particular group is gradually diminished or erased, often due to ext

‘Make Tattooing Safe Again’: Sheffield Based Tattoo Artist Exposed for Indecent Behaviour

 by Emily Fletcher TW: SA, Animal Abuse, Transphobia Photo Credit: @ meiko_akiz uki Recently, an  Instagram account  has been created to provide a  ‘space to safely give a voice to those who want to speak out about the behaviour of one, Sheffield based tattoo artist’. A  total of 40+ posts have been made by the above social media account regarding  one of Sheffield's most popular tattoo artists .  Thankfully, all posts are prefaced with a Content Warning prior to sharing screenshots of the messages that have been sent anonymously to the page. The majority of Content Warnings refer to sexual behaviour, abuse, and sexual assault. It is clear that there is a reoccurring theme within each submission, as many clients appear to have had the same experiences with the tattoo artist. Women, mostly, are being made to feel uncomfortable while being tattooed. One of the most vulnerable positions anyone can be in, tattoo artists should make their clients feel comfortable and safe during the pro

Now What? The Aftermath of the 'Manic Pixie Dream Girl'

by Susan Moore Here is a bit about me: I am an open, excitable, creative AFAB who is also moderately attractive. I have a unique sense of personal style and a personality that on the surface can only be described as “bubbly” and “quirky”. For this reason, dating is a nightmare. To be sure, I do not have a hard time finding dates or potential suitors. The problems arise when said dates spend some time with me and decide that I am a rare specimen, and the connection they feel with me is “unlike anything they have felt before”. Then, things go one of two ways.  Either a) they decide I am too high maintenance and no longer palatable, or  b) they choose to never look further than the surface and are content to date the idea of me rather than the real me. There is something rather interesting, perhaps funny, about my situation. It is in no way unique. I have met so many people who constantly dealt with the same problem. Even funnier still, is the fact that there is a trope that simultaneousl